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The architectural style of the 18th and 19th centuries is closely associated with sash windows. Their large panels of glass within gracefully proportioned frames offered an attractive and functional alternative to casement windows.
Despite much debate, the sash window is now thought to have originated in Yorkshire, England. They offered greater resistance to rot and distortion, while being able to keep out the weather and still allow fresh air in since they can be opened only slightly when it is raining.
There were both functional and aesthetic advantages to Sash windows, and many people chose to replace their old windows with them, while they were also popular in newly built homes. The window tax of the 18th and 19th centuries caused many of these fashionable windows to be taken out again, however. The Georgian sash window took on the modern double sash form. Glass was still expensive and marked with central bull’s eyes by the manufacture process. Once larger panels became available the classic six-paned Georgian windows appeared..
The Victorians continued to favor sash windows, but added their own style with elaborate carved and molded ornamentation. Sash windows that are gradated in size, becoming smaller at the top of the building are indicative of the style of this time, as are large bay windows. Four paned sashes are more common in houses built at this time. The wealthy often chose to have older styles of window added to their property to distinguish themselves from the increasingly common use of plate glass sash windows with the slimmer glazing bars that were once prized.
During the 20th century, sash windows have tended to disappear from our streets, being replaced by cheaper, mass-produced windows. An interest in conserving historical styles of architecture has recently revived the demand for sash windows, however. Modern versions of the sash window preserve the traditional character of older properties, while combining all the latest developments in manufacturing processes with the grace and practicality that this style epitomizes.
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